Frutta | Yonatan Vinitsky
↓ CV

Loose Ends, 2015, Installation View, Frutta

Loose Ends, 2015, Installation View, Frutta

Loose Ends (Canary Yellow), 2015, Wool, Nylon and Cotton Fabric (Vigor BAE309) Mounted on Bespoke Okoume Plywood Backing (23mm), Rolled, Bended and Welded Powder Coated (RAL 7047, Satin Finish) Mild Steel Solid Rod (15mm), 16-Strand Braided 8mm Polypropylene Rope (Canary Yellow 0120), 10mm Monoflex Elastic Cord with Polypropylene Jacket (Gray), Bespoke PVC Washer (8mm), M8 Stainless Steel Glass Boss (15mm), Split Baton, 130,6 x 191 x 3 cm

Loose Ends (Canary Yellow), 2015, Wool, Nylon and Cotton Fabric (Vigor BAE309) Mounted on Bespoke Okoume Plywood Backing (23mm), Rolled, Bended and Welded Powder Coated (RAL 7047, Satin Finish) Mild Steel Solid Rod (15mm), 16-Strand Braided 8mm Polypropylene Rope (Canary Yellow 0120), 10mm Monoflex Elastic Cord with Polypropylene Jacket (Gray), Bespoke PVC Washer (8mm), M8 Stainless Steel Glass Boss (15mm), Split Baton, 130,6 x 191 x 3 cm, Detail

Loose Ends (Mint), 2015, Wool, Nylon and Cotton Fabric (Vigor BAB309) Mounted on Bespoke Okoume Plywood Backing (23mm), Rolled, Bended and Welded Powder Coated (RAL 7047, Satin Finish) Mild Steel Solid Rod (15mm), 16-Strand Braided 8mm Polypropylene Rope (Mint 2832), 10mm Monoflex Elastic Cord with Polypropylene Jacket (Green), Bespoke PVC Washer (8mm), M8 Stainless Steel Glass Boss (15mm), Split Baton, 130,6 x 191 x 3 cm

Ensemble Orientation Quick Jerky Movements Stop (Yellow.16.165.34), 2015, Powder Coated (RAL 1003 Gloss Finish) Bespoke Rolled and Bent 16mm x 1,5mm Mild Steel Tube, Nylon Covered Micro Cable (1,05mm), Copper Nicopress Micro Ferrule, 211 x 17,5 x 17,5 cm

*May Be Installed Horizontally or Vertically

Ensemble Orientation Quick Jerky Movements Stop (Red.12.130.38), 2015, Powder Coated (RAL 3020 Gloss Finish) Bespoke Rolled and Bent 12mm x 1,5mm Mild Steel Tube, Nylon Covered Micro Cable (1,05mm), Copper Nicopress Micro Ferrule, 13,5 x 211 x 13,5 cm

*May Be Installed Horizontally or Vertically

His Examples (“Spirit Becomes Possible”) K3, 2015, Back-Painted Acrylic Paint and Gloss Paint (RAL 9010) on Clear Untreated Archival Melinex (75 Microns) Based on the Painting ‘Urban Impressions’ by Chaim Kiewe (Circa. Late 1950s), Wrapped Around Wood Stretchers, Bespoke Cherry Wood Tray Frame, Wood Backing, 179 x 127 x 4 cm

His Examples (“The Weak Point”) K4, 2015, Back-Painted Acrylic Paint, Pastels and Gloss Paint (RAL 9010) on Clear Untreated Archival Melinex (75 Microns) Based on a Painting by Chaim Kiewe (Circa. Late 1950s), Wrapped Around Wood Stretchers, Bespoke Cherry Wood Tray Frame, Wood Backing, 179 x 127 x 4 cm

His Examples (“Private Motive”) K1, 2015, Back-Painted Acrylic Paint, Pastels and Gloss Paint (RAL 9010) on Clear Untreated Archival Melinex (75 Microns) Based on the Painting ‘Composition’ by Chaim Kiewe (Circa. Late 1950s), Wrapped Around Wood Stretchers, Bespoke Cherry Wood Tray Frame, Wood Backing, 179 x 127 x 4 cm

‘The Essential Core (Light, Light, Light, Lighter, Very Light)’, 2013, Black Elastic (20 mm), Steel Nails (50 mm), Thread on Acrylic Paint Background (RAL 6019 -Pastel Green), 160 x 220 x 4 cm

‘The Essential Core (Light, Light, Light, Lighter, Very Light)’, 2013, Black Elastic (20 mm), Steel Nails (50 mm), Thread on Acrylic Paint Background (RAL 6019 -Pastel Green), 160 x 220 x 4 cm, Detail

AKZENT III, 2014, Powder-Coated (RAL 9016) Shot Blasted Primed Bended and Welded Black Solid Steel (12mm), Base Red Wood Pine, Internal Black Steel Plate, Satin Varnish Screws, 142 x 134 x 15 cm

AKZENT IV, 2014, Powder-Coated (RAL 9016) Shot Blasted Primed Bended and Welded Black Solid Steel (12mm), Base Red Wood Pine, Internal Black Steel Plate, Satin Varnish Screws, 142 x 134 x 15 cm

The Rrrrrrright Move, 2014, Black Elastic and Steel Nails, 252 x 245 cm

Floats Above It 1 (Landscape In The Beginning), 2014, Back-Painted Gloss Paint on Scratched Soft Oil Pastels and Acrylic Paint on Clear Untreated Archival Melinex, 179,5 x 127 x 4,5cm

Floats Above It 2 (Patchy Landscape), 2014, Back-Painted Gloss Paint on Scratched Soft Oil Pastels and Acrylic Paint on Clear Untreated Archival Melinex, 179,5 x 127 x 4,5cm

Fifth Lesson, 2014, Back-Painted Gloss Paint on Scratched Acrylic Paint, 68 x 87 x 4,5 cm

Sixth Lesson, 2014, Back-Painted Gloss Paint On Scratched Acrylic Paint, 68 x 87 x 4,5 cm

Distant Authority Figure (Green/Pink), 2013, Obeche Wood, Cotton Twill Tape, Wood Glue, Metal Eyelets, Metal Chain, 240 x 148 x 3 cm

Vim, 2011, Back-Painted Gloss Paint [NCS S1020-G10Y Equivalent (LT2111P & LT3115P Mix)] on Clear Untreated Archival Polyester Film (50 Micron), Talcum Powder, Cross Weave Tape, Double-Sided Tape, Aluminium Tubes, Metal Cable, 820 cm x 300 cm. Installation View at Ashdod Museum of Art, Ashdod, IL

The Young Orator 26, 2011, Framed Back-Painted Gloss Paint (0603-G70Y) on Black Marker Pen, Oil Pencils (Red, Brown), Graphite, Glass Pencils (Black, Red, White), Coloured Pencils (Purple, Red, Blue, Green, Yellow, Brown), Permanent Markers (Black, Green, Blue), Yellow Highlight Marker, Soft Pastels (Grey, Blue), Pencils (HB, 7B, 3B), Pens (Blue, Black) and Purple Felt-Tip Pen on Clear Archival Polyester Film (75 Micron), 72,5 x 58 x 3 cm

  • Born 1980, Jerusalem, IL
    Lives and works in London, UK

    Education

    2009
    MA Sculpture, Royal College of Art, London, UK

    2006
    BA Hons Fine Art, Goldsmiths College, London, UK

    Solo Exhibitions

    2017
    TBA, Tel Aviv Museum of Art, Tel Aviv, IL (upcoming)

    2016
    After 12 comes 1, Braverman Gallery, Tel Aviv, IL

    2015
    SORTIE DÉFINITIVE, Mon Chéri, Brussels, BE
    Loose Ends, Frutta, Rome, IT

    2014
    Crisscrossing the World, Limoncello, London, UK

    2013
    Speed Corner Poster 40, Frutta, Rome, IT

    2012
    Grosso Modo, Galerie De Expeditie, Amsterdam, NL

    2011
    The Cruel King, curated by Yona Fischer, Ashdod Museum of Art, Ashdod, IL
    Wiring up a Disco Unit, Limoncello, London, UK

    2009
    The height of the heels not the depth of the step, Limoncello, London, UK

    Group Exhibitions

    2016
    ‘49a’, Limoncello’s temporary space in Woodbridge, Suffolk, UK

    2015
    Walter Benjamin: Exilic Archive, Tel Aviv Museum of Art,Tel Aviv, IL
    Salon de Arte Contemporaneo 2015 Lima, organised by Pepe Cobo, Lima, PE
    80 Years, Limoncello, London, UK
    I Dropped the Lemon Tart, Lisa Cooley, New York, US
    What is a Bird? We Simply Don’t Know, curated by Domenico de Chirico, Galeria Nicodim, Bucharest, RO
    !Champagne!, directed by Vincenzo della Corte, BeatTricks, Milan, IT

    2014
    The present plates, The DUST, Paris, FR
    The Go-Between – artists from the Ernesto Esposito collection, Museo di Capodimonte, Napoli, IT
    Ab-Stretching the Canvas, Jeanine Hofland, Amsterdam, NL
    100 Ans Plus Tard, curated by Gallien Déjean, Palais de Tokyo, Paris, FR
    Seeing, or thinking in the first place, Limoncello, London, UK
    Installation View, Kunstverein Wiesbaden, DE
    Oraibi Bookshop, ROSABRUX, Brussels, BE
    On a tilted Floor, Palais de Tokyo, Paris, FR
    Plane Trees Five, Palais de Tokyo, Paris, FR

    2013
    Enter Before You Leave, Galleri SPECTA, Copenhagen, DK
    I Salute the Potter’s Clay, curated by Gemma Lloyd and Eve Smith, Czarna Galeria, Warsaw, PL
    Curator: Yona Fisher, Ashdod Museum of Art, Ashdod, IL
    ANTI ANTI, curated by Hadas Kedar, The Genia Shreiber University Art Gallery, Tel Aviv, IL
    V22 Collection Show, V22, London, UK

    2012
    House of Voltaire, Jonathan Viner gallery, London, UK
    Kupferman’s House, curated by Nimrod Reitman, Kibbutz Lohamei Ha’ghetaot, IL
    Ashdod Museum of Art, curated by Roni Cohen-Binyamini and Yuval Biton, Ashdod, IL
    ONE ONE ONE, Annex East, London, UK
    One and One and One, CGP London – Café Gallery, London, UK

    2011
    Limoncello Green, Limoncello, London, UK
    Young London, V22, London, UK
    Limoncello Yellow at The Bakery, Annet Gelink Gallery, Amsterdam, NL
    Self-Similar: Seen Somewhere Else At The Same Time, curated by George Unsworth, Galerie De Expeditie, Amsterdam, NL
    Texture of Time, Frederick Parker Gallery, London, UK

    2010
    SALTS Projects, Two person show with Matthew Smith, curated by Fabian Schoeneich, Basel, CH
    The October Show, Limoncello, London, UK
    SUNDAY, Ambika P3, London, UK
    Standard Candles, curated by John Chilver, Vulpes Vulpes, London, UK
    Use and Mention, curated by John Chilver, Stephen Lawrence Gallery, London, UK
    Shaping Sculpture, Program of Publications, exhibitions and events developed by George Unsworth, University of the Arts, London, UK

    2009
    The Manchester Contemporary (Buy Art Fair), Urbis Centre, Manchester, UK
    The Fair Show, Limoncello, London, UK
    The Little shop on Hoxton Street, curated by Rebecca May Marston and Katarzyna Syzdlowska, Limoncello, London, UK

    2008
    Visits to (some)Where, curated by Adi Engelman, BWA Galley, Zielona Gora, PL

    2007
    Traces III, curated by Dalia Manor, The Third Biennale for Drawing in Israel, The Jerusalem Artists’ House, Jerusalem, IL
    Nature Untouched, Tou Scene Gallery, Stavanger, NO

    2006
    Explorers From Overseas, SPECTA, Copenhagen, DK

    2000
    Inverse Perspectives, curated by Joseph Backstein, Edsvik Art Center, Stockholm, SE

    Residencies and Awards

    2013-14
    Pavillon Residency, Palais de Tokyo, Paris, FR

    2012
    Caribic Residency, Tel Aviv, IL

    1999
    Grand Prize, WRO 99, International Media Art Biennale, Wroclaw, PL

    1998
    Fellow in the Academy of Media Arts (KHM), Cologne, DE